The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Keelan O'Hehir
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Keelan O'Hehir
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Louis Lim
Of Earth and Ether, (installation view) 2023. Photography by Andrew Curtis
A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis
A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis
Containing all wounds and wishes, tears traverse, (all come from the same well), 2023. Photography by Andrew Curtis
A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis
Containing all wounds and wishes, tears traverse, (all come from the same well), 2023. Photography by Keelan O'Hehir
A vessel for my worry and fears, 2022. Photography by Andrew Curtis
Shadow Box (you know exactly what I am), 2022. Photography by Andrew Curtis
Shadow Box (you know exactly what I am), 2022.
Photography by Keelan O'Hehir
A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis
A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis
A vessel to hold me, a vessel to set me free, (Self Urn), 2023. Photography by Keelan O'Hehir
A vessel to hold me, a vessel to set me free, (Self Urn), 2023.
Photography by Keelan O'Hehir
Make a promise, make a wish, (hopes and dreams), 2022. Photography by Keelan O'Hehir
Make a promise, make a wish, (hopes and dreams), 2022. Photography by Andrew Curtis
The hollow, leaking, jam doughnut (fantasies of the ego), 2023. Photography by Andrew Curtis
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (installation view), 2023. Photography by Keelan O’Hehir
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
𝘛𝘩𝘦 𝘧𝘭𝘰𝘸𝘦𝘳 𝘪𝘵 𝘨𝘭𝘦𝘢𝘮𝘴 (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Andrew Curtis
Catalogue Essay by Anna Dunnill, 2023. Read or download here
Catalogue Essay by Anna Dunnill, 2023. Read or download here
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Keelan O'Hehir
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Keelan O'Hehir
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Louis Lim
Of Earth and Ether, (installation view) 2023. Photography by Andrew Curtis
A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis
A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis
Containing all wounds and wishes, tears traverse, (all come from the same well), 2023. Photography by Andrew Curtis
A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis
Containing all wounds and wishes, tears traverse, (all come from the same well), 2023. Photography by Keelan O'Hehir
A vessel for my worry and fears, 2022. Photography by Andrew Curtis
Shadow Box (you know exactly what I am), 2022. Photography by Andrew Curtis
Shadow Box (you know exactly what I am), 2022.
Photography by Keelan O'Hehir
A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis
A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis
A vessel to hold me, a vessel to set me free, (Self Urn), 2023. Photography by Keelan O'Hehir
A vessel to hold me, a vessel to set me free, (Self Urn), 2023.
Photography by Keelan O'Hehir
Make a promise, make a wish, (hopes and dreams), 2022. Photography by Keelan O'Hehir
Make a promise, make a wish, (hopes and dreams), 2022. Photography by Andrew Curtis
The hollow, leaking, jam doughnut (fantasies of the ego), 2023. Photography by Andrew Curtis
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (installation view), 2023. Photography by Keelan O’Hehir
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
𝘛𝘩𝘦 𝘧𝘭𝘰𝘸𝘦𝘳 𝘪𝘵 𝘨𝘭𝘦𝘢𝘮𝘴 (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Louis Lim
The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Andrew Curtis
Catalogue Essay by Anna Dunnill, 2023. Read or download here
Catalogue Essay by Anna Dunnill, 2023. Read or download here